Experience, Reason and the Matrix Machine. A Genetic View on Knowledge and Meaning Production
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The Matrix film trilogy is an artistic reflection on the fuzzy limits between ‘real’ and ‘virtual’ realities, the nature of human feelings and our struggle for freedom. It offers a powerful metaphor that provides plenty of food for theoretical thought. In particular, I think it offers a good of entry into questions about reason, cognition and experience. In this paper I will argue that semiotics (of a Peircean kind) may offer an explanation of the development of different varieties of experience from which subjectivity and rational knowledge can emerge.
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