Coleridge and the invention of prose

Authors

DOI:

https://doi.org/10.14422/pen.v78.i299.y2022.013

Keywords:

Coleridge, Plotinus, prose, beauty, miracle

Abstract

Through a close reading of a fragment written probably around 1818, I intend to show in this paper how the discovery of the origin of prose was a landmark in Samuel Taylor Coleridge’s theoretical development regarding the distinction between verse and prose. This discovery was founded in his studies on the Presocratics and fitted his aesthetic theory rooted in Plotinus’s writings. I try to make evident, then, that a stylistic discussion acquired a philosophical and, even, theological scope in Coleridge’s thought.

Downloads

Download data is not yet available.

Author Biography

Alfonso Iommi Echeverría, Pontificia Universidad Católica de Valparaíso

Instituto de Arte

References

Brucker, J. J. (1742-44). Historia Critica Philosophiae, 5 Volúmenes, Leipzig.

Coleridge, S. T. (1853-1884). The Complete Works of Samuel Taylor Coleridge, 7 Volúmenes, Nueva York.

Coleridge, S. T. (1969). The Friend. The Collected Works of Samuel Taylor Coleridge. Princeton: Rooke (Ed.).

Coleridge, S. T. (1956-1971). The Collected Letters of Samuel Taylor Coleridge.Oxford: Griggs (Ed.).

Coleridge, S. T. (1985 a). Biographia Literaria, The Collected Works of Samuel Taylor Coleridge. Princeton: Engell y Bate (Ed.).

Coleridge, S.T. (1985 b). Samuel Taylor Coleridge. The Oxford Authors. Oxford: Jackson (Ed.).

Coleridge, S.T. (2000). Lectures 1818-1819: On the History of Philosophy. The Collected Works of Samuel Taylor Coleridge. Princeton: Jackson (Ed.).

Coleridge, S.T. (1957-2002 a). The Notebooks of Samuel Taylor Coleridge. Nueva York: K. Coburn, M. Chritensen y A. Harding (Ed.).

Coleridge, S.T. (2002 b). Samuel Taylor Coleridge. Les Sermon laïques suivi de L’Ami. Paris: P. Beck y E. Dayre (Ed.).

Colli, G. (1978). La Sapienza Greca, Milán.

Dillon, J. (1992). «Plotinus at work on Platonism», Greece & Rome, 39:2, p.189-204.

Fowler, R. (1999). «The authors named Pherecydes», Mnemosyne, 52:1, p.1-15.

Gaull, M. (1999). «Blake, Coleridge, and Eighteenth-Century Greek Scholarship», The Wordsworth Circle, 30:2, p.89-94.

Havelock, E. (1963). Preface to Plato. Cambridge.

Haven, R (1959). «Coleridge, Hartley, and the Mystics», Journal of the History of Ideas, 20:4, p.477-494.

Hedley, D. (1998). «Coleridge’s Intellectual Intuition, the Vision of God, and the Walled Garden of “Kubla Khan”», Journal of the History of Ideas, 59:1, p.115-134.

Henry, P. & Schwyzer, H.-R. (1964): Plotini Opera. Oxford.

Hicks, P. (1925). Diogenes Laertius. The Lives of eminent Philosophers. Harvard.

Jacoby, F. (1947). «The First Athenian Prose Writer», Mnemosyne, 13, p.13-64.

Jaeger, W. (1947). The Theology of the Early Greek Philosophers. Oxford.

Jang, G.-R. (1986). «The Imagination “Beyond” and “Within” Language: An Understanding of Coleridge’s Idea of Imagination», Studies in Romanticism, 25:4, p.505-520.

Kirk, G.S. & Raven, J. E. (1957). The Presocratic Philosophers. Cambridge.

Lamb, C (1823). «Christ’s Hospital five-and-thirty years ago», Essays of Elia. Londres.

Laks, A. (2002). «Écriture, prose, et les débuts de la philosophie grecque», Methodos, 2, p.7- 31.

Milnes, T. (1999). «Eclipsing Art: Method and Metaphysics in Coleridge’s “Biographia Literaria”», Journal of the History of Ideas, 60:1, p.125-147.

Moffat, D. (1982). «Coleridge’s ten theses: The Plotinian Alternative», The Wordsworth Circle, 13:1, p.27-31.

Mosshammer, A. (1976). «The Epoch of the Seven Sages», California Studies in Classical Antiquity 9, p.165-190.

Raine, K. (1968). «Thomas Taylor, Plato, and the English Romantic Movement», The Sewanee Review, 76:2, p.230-257.

Reid, N. (1994). «Coleridge and Schelling: The missing trascendental deduction», Studies in Romanticism, 33:3, p.451-479.

Reynolds, J. (1797). Discourses on Art. Indianapolis.

Richards, I. A. (1935). Coleridge on Imagination. Londres.

Schelling, F. W. J. (1809). Philosophische Schriften. Landshut.

Schibli, H. (1990). Pherekydes of Syros. Oxford.

Shaffer, E. (1970). «The “Postulates in Philosophy” in the “Biographia Literaria”», Comparative Literature Studies, 7:3, p. 297-313.

Simons, T. (2006). «Beyond Kant and Hegel: Trascendent Aesthetics and the Dialectic Pentad», Studies in Romanticism, 45:3, p.465-481.

Stamatellos, G. (2007). Plotinus and the Presocratics. Albany.

Stanley, T. (1701). The History of Philosophy. London, Battersaby.

Stoicorum Veterum Fragmenta (SVF) (1924). Stoici Antichi. Tutti i frammenti secondo la raccolta di Hans Von Arnim. Milán, 1998.

Stolnitz, J. (1961). «On the origins of “Aesthetic Disinterestedness”», Journal of Aesthetics and Art Criticism, 20, p.131-144.

Tennemann, W. G. (1798-1819). Geschichte der Philosophie, 11 Volúmenes. Leipzig, Barth.

Toye, D. L. (1997). «Pherecydes of Syros: Ancient Theologian and Genealogist», Mnemosyne, 50:5, p.430-560.

Tredennick, H. (1935). Aristotle. Metaphysics. Harvard.

Trotta, A. (1997). Il Problema del Tempo in Plotino. Milán.

Vallins, D. (1995). «Production and Existence: Coleridge’s Unification of Nature», Journal of the History of Ideas, 56:1, p.107-124.

Vallins, D. (1997). «The Feeling of Knowledge: Insight and Delusion in Coleridge», ELH, 64:1, p.157-187.

Vigus, J. (2009). Platonic Coleridge. Londres, Legenda.

White, D. (1973). «The Metaphysics of Disinterestedness: Shaftesbury and Kant», Journal of Aesthetics and Art Criticism, 32:2, p.239-248.

Published

2022-11-04

How to Cite

Iommi Echeverría, A. (2022). Coleridge and the invention of prose. Pensamiento. Revista De Investigación E Información Filosófica, 78(299), 1119–1136. https://doi.org/10.14422/pen.v78.i299.y2022.013

Issue

Section

Estudios, textos, notas y comentarios